Nosbaum Reding invites you to the finishing exhibition of Joachim Bandau "Transparente Verdichtung"

This Saturday, September 24th at 11:00

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It is the first solo show in Luxembourg for the German sculptor and painter Joachim Bandau (b. 1936).

Bandau is among a seminal group of artists such as Dan Flavin, Donald Judd and Sol LeWitt who in the 1960s developed a minimalist formal vocabulary in reaction to the predominance of post-war Abstract Expressionism. Among his early much-noticed series were mobile containers evocative of sarcophagi and models of bunkers that addressed issues of physical confinement and restriction.

Later in his career he focussed increasingly on painting, as witness his ongoing series of Black Watercolours, in which myriad shades of black overlap to create translucent geometric shapes that play with planeness and depth of field. The result of a meticulous and time-consuming process in which the artist adds layer upon layer over several days or weeks, they seem to float or even move, suggesting references to early photography and cinema, but also textile samples.

In the mid-1970s, Bandau's sculptural work evolved from biomorphic structures to a more minimalist vocabulary of boxes and geometric volumes. Echoing his painterly work, they explore the tensions between volume and emptiness, or between presence and absence. Titled Transparente Verdichtung (Transparent Compression), the exhibition at Nosbaum Reding Luxembourg features a selection of recent paintings and sculptures in which the artist continues his ongoing exploration of space and the role of time in the making of the artwork.

Joachim Bandau (b. 1936 in Cologne) graduated from the Düsseldorf Academy of Arts in 1961, where he studied alongside Gerhard Richter, Joseph Beuys and Imi Knoebel. In 1966 he co-founded the artists' collective K66. His self-driving Cabine Mobiles for documenta 6 in Kassel in 1977, which was included in the ?Utopian Design? section, attracted wide critical attention. Since the 1960s, his work has been shown in solo exhibitions across the world, including at Museum Ludwig in Cologne, M HKA in Antwerp, SculptureCenter in New York, Haus der Kunst in Munich and Palais des Beaux-Arts in Brussels. It can also be found in numerous public and private collections such as Centre Pompidou in Paris, Kunstmuseum in Basel, Staatliche Kunstsammlungen in Dresden and Museum Ludwig in Cologne.

Brussels Gallery Weekend

8-11 September 2022

For its 15th anniversary, BGW gives a carte blanche to a selection of galleries who bring large format works.

Discover unique artworks by Christoph Meier into the group show Sculpture Factory @L'imprimerie.

Location :

Print Shop | @L'imprimerie | National Bank of Belgium

56 Bd de Berlaimont
Bruxelles, Bruxelles 1000

Nosbaum Reding | Bruxelles will be open on Thursday until 9pm and on Friday, Saturday and Sunday from 11am to 6pm

Nosbaum Reding | Bruxelles

Rue de la Concorde 60A

1050 Ixelles

Brussels

Friedrichs Foundation
Stiftung Friedrichs zur Förderung zeitgenössischer Kunst
Gartenstr. 12
54636 Weidingen
Germany

3K-NH

02-09-22 / 16-10-22

Group show with :

Stephan Jung

Michel Majerus

Susa Reinhardt

Wawrzyniec Tokarski

Location :

Lützowstraße 32 10785 Berlin, Germany

PAREIDOLIE, the international fair of contemporary drawing in Marseille, will be held on Saturday 27 and Sunday 28 August 2022 at the Château de Servières.

Opening time

Admission: 5€ except for members, job seekers and social security beneficiaries.

11-19 boulevard Boisson 13004 Marseille
+33 (0) 4 91 85 42 78 - contact@pareidolie.net

Barthélémy Toguo (*1967) has been focusing in his artistic practice on highly topical issues of identity and social belonging, migration, flight, displacement, and those restrictions that stem from territorial borders and politics regarding sovereign rights. Against the background of his dual Cameroonian-French citizenship, he thereby explicitly adopts a non-Eurocentric approach. He is above all concerned about the causes of ecological problems and their impact on society: drinking and industrial water shortages, maldevelopments in agriculture, the effects of climate change, corruption, armed conflicts or lack of economic development prospects.

14 July at 19:30

DISTANZ VERLAG
HALLESCHES UFER 78
10965 BERLIN


Pisces and Capricorns
Mit Texten von Amely Deiss, Mitch Speed und Frédéric Schwilden
Hg. Amely Deiss / Kunstpalais, Stadt Erlangen; Ursula Schöndeling / Heidelberger Kunstverein | Deutsch/Englisch | 192 Seiten | ISBN 978-3-95476-470-9


Anlässlich der Veröffentlichung von Pisces and Capricorns findet ein Get-together und Künstlergespräch in den Räumlichkeiten von DISTANZ statt.
 

Die Publikation Pisces and Capricorns erscheint im Zusammenhang mit Bourscheids erster Einzelausstellung im deutschsprachigen Raum, die im Kunstpalais in Erlangen und anschließend im Heidelberger Kunstverein gezeigt wurde. Seine neueste, sehr persönliche Arbeit Agnes ist hier erstmals abgebildet.
 
Mit:
Mike Bourscheid, Künstler
Amely Deiss, Leiterin Kunstpalais und Städtische Sammlung Erlangen
 
RSVP an info@distanz.de
Einlass ab 19:00 Uhr

Image:
Film still from the video Agnes, 2022  © Mike Bourscheid

Location:

Friday 29th April at 7:30 pm

Free access

Homies Prayers is the sister performance of the body of work Homies. It consists of a live textual sound piece where synthetic mechanisms generate a polyphony of voices that speak of islands, navigation, perspectives and UFO's. 

Monica Mays is currently exhibiting at Nosbaum Reding Gallery in the group show "fundamental occurrences".

To have the last information about the event,

click here

The exhibition "fundamental occurrences" can be seen and seen again throughout Art Brussels from Thursday 28 April to Sunday 1 May from 11 am to 6 pm, with an evening show on Wednesday 27 April until 9 pm for Gallery Night, and then until 7 May 2022 from Wednesday to Saturday.

Join us on the booth B72 and B78 (solo show) from 28th April to 1st May 2022

With the works by

Damien Deroubaix, Helmut Dorner, Tina Gillen, Hisae Ikenaga, Barthélémy Toguo, Sophie Ullrich, Wawrzyniec Tokarski,

and a solo show by Thomas Arnolds

Location:

Multiforme, Hisae Ikenaga

As part of Art Brussels 2022 and Gallery Night, Nosbaum Reding is delighted to announce a very special event in partnership with collector Galila Barzilaï Hollander. Nosbaum Reding will present the installation work of artist Hisae Ikenaga for the first time in Belgium at Avenue Van Volxem 316 in Forest, a stone's throw from P.O.C, WIELS and Foundation A.

Press meeting: 27.04.22 from 11:00 to 13:00

Opening: 27.04.22 from 18:00 to 21:00 (Gallery Night by Art Brussels)

The exhibition can be seen from 27 April to 07 May 2022, from Wednesday to Sunday

from 12:00 to 18:00 and by appointment.

Location: Avenue Van Volxem 316, 1190 Forest

"The installation consists of a series of pieces of furniture, objects, tools and gadgets that belong to three very specific spaces; a scientific laboratory, a professional kitchen and an artist's studio. The material to be examined and studied, to be cooked or manipulated in a variety of ways is clay or ceramic. Thus, the pieces arranged refer to organs, bones, some to everyday objects and others to processed ingredients.

This mixture of these three spaces may cause some confusion at first, but by observing the different forms and the way the ceramic pieces are worked, we understand the similarity, the common characteristics between the spaces and their ways of working." Hisae Ikenaga

Biography:

Hisae Ikenaga (born in Mexico City in 1977) studied art theory and visual arts in Mexico City, Kyoto, Barcelona and Madrid. She lives in Luxembourg and divides her time between Luxembourg and Spain. Her work has been shown in numerous solo and group exhibitions, including Matadero Madrid and La Casa Encendida in Madrid, Praxis in New York, Castel Coucou in Forbach, Galerie Lavitrine in Limoges and the Ikea Museum in Älmhult. In 2020, she received the LEAP20 Luxembourg Encouragement for Artists Prize, and in 2021, her in situ project for the headquarters of the Ordre des Architectes et Ingénieurs-Conseils du Luxembourg (OAI) won 1st prize in the first OAI Art in Situ competition. She also exhibited at Nosbaum Reding | Projects in Luxembourg last September.

(This project is financially supported by the Ministry of Culture of the Grand Duchy of Luxembourg).

Luxembourg Pavilion at the 59th International Art Exhibition – La Biennale di Venezia
Arsenale, Sale d'Armi, Venice

Image:
Tina Gillen, Power, 2018, Acrylic on canvas, 165 x 120 cm, © Tina Gillen. Photo: Nosbaum Reding