Eric Mangen: A Place Where Questions Outnumber Answers
at BIL | Galerie Indépendance
08.10.2026 – 22.01.2027
Opening: 07.10.2026
For the exhibition A Place Where Questions Outnumber Answers, Luxembourgish artist Eric Mangen presents a new body of work bringing together abstract painting, ceramics, and plant elements. Through these different media, Mangen creates an environment shaped by his sensitivity to landscape, material, and living forms. Forms meet and respond to one another according to their own logic, at times creating ambiguities that, as the exhibition title suggests, do not seek to provide answers, but rather to open up a space for questioning and interpretation.
The result of more than a year and a half of research, a new body of ceramic works extends the principles that characterize Mangen's painting practice. Here, the artist explores the same relationship to gesture, chance, and accident, confronting certain conventions of ceramic practice with a more intuitive working method. Irregularities, distortions, and unexpected outcomes thus become an integral part of the creative process.
Galerie Indépendance | Banque Internationale à Luxembourg
69, route d'Esch
L-2953 Luxembourg
As part of Maryam Najd's exhibition Rhapsody of the Unseen, Nosbaum Reding is pleased to host a series of round-table discussions on the 23 and 24 September 2026.
The Paradox of Creativity under Censorship
▶ 23 September 2026, 6 PM
Nosbaum Reding | Luxembourg
As part of Maryam Najd's exhibition Rhapsody of the Unseen, Nosbaum Reding is pleased to host a public round-table discussion bringing together Maryam Najd, Orly Noa Rabinyan, Shiva Akhlagi and Patrizia Luchetta. The conversation will explore the complex relationship between censorship and artistic creation, and how artists navigate, respond to and create within conditions of constraint.
Round Table with Stand Speak Rise Up!
▶ 24 September 2026, 3 PM
Nosbaum Reding | Luxembourg
In the special presence of H.R.H. the Grand Duchess Maria Teresa of Luxembourg, Nosbaum Reding will host a round table discussion with Stand Speak Rise Up!, exploring questions of visibility, voice, identity and resistance, while opening a broader dialogue around women's rights and the importance of creating spaces for their voices and experiences to be heard.
Attendance is free but registration is required.
Places are limited to 80 guests.
Register here
Performance A-Un
Sound and movement performance based on the soundscapes of Steve Kaspar
19.09.2026 — 19:00
Neimënster, Luxembourg
On the occasion of Steve Kaspar's exhibition En avant comme en après at neimënster, Yuko Kominami, Nataša Grujović and Andreas Wagner present Performance A-Un, a new sound and movement performance developed from the soundscapes of the Luxembourgish artist Steve Kaspar (1952–2020).
Bringing together sound, voice and movement, the project continues and reactivates Kaspar's artistic universe through a new composition. The performance is conceived by two artists who collaborated closely with Kaspar at different moments of his life: Nataša Grujović, accordionist and composer, and Yuko Kominami, dancer and choreographer.
Concept and musical arrangement: Andreas Wagner
En avant comme en après
Steve Kaspar
10.07—01.11.2026
Neimënster, Luxembourg
Barthélémy Toguo in Exihibition Africa Legacy, initiated by The city of Brussels and curated by Didier Claes.
The Nosbaum Reding team wishes you a wonderful summer and kindly informs you that our galleries will be closed during the holiday period.
Nosbaum Reding | Luxembourg
Closed from 1 August
Reopening on Thursday, 20 August
Nosbaum Reding | Brussels
Closed from 29 July
Reopening on Thursday, 10 September
with a new exhibition by Nat Meade
We look forward to welcoming you back after the summer.
Nosbaum Reding is delighted to announce: En avant comme en après, a solo exhibition presenting works by Steve Kaspar at Neimënster, opening on Friday, 10 July at 6:30 PM.
The exhibition presents a series of drawings by Steve Kaspar from the Générations series, produced between 1992 and 1997. Created using mixed media on Steinbach paper, mainly in two formats, these works mark both a high point and a turning point in the artist's career. Since the 1970s, Kaspar has developed his work through series, moving, in the early 1980s, from collage, colour and figuration to a gradual reduction in formal elements, whilst maintaining a constant interest in form and composition.
In the Générations series, white paper becomes a field of tension: a space in which lines, geometric shapes, signs and inscriptions overlap, repeating, transforming and dissolving. Influenced by his musical studies with Mauricio Kagel in Cologne, Steve Kaspar developed a hybrid visual language in which drawing takes on structures reminiscent of musical notation. Générations constitutes a major cycle in the artist's visual work, prior to his shift towards music production, revealing a practice rooted between disciplines, between form and perception.
This exhibition is curated by Denis Gielen, director and chief curator of MACS, Grand-Hornu.
Practical Information
Opening: 10.07.2026, 6.30 PM
Exhibition: 10.07 - 01.11.2026, 10AM - 6PM
Location: Abbaye de Neumünster
28 rue Münster, 2160 Luxembourg
ROBERT WILSON
WORKS ON PAPER – PRIVATE SALE
On the occasion the representation of PESSOA – Since I've Been Me by Robert Wilson at Théâtre de la Ville – Sarah Bernhardt, Nosbaum Reding, in collaboration with RW Work, Ltd., is pleased to present a selection of drawings from one of Robert Wilson's last theater works.
Location
THÉÂTRE DE LA VILLE — SARAH BERNHARDT, PARIS
2, Place du Châtelet, 75004 Paris
Dates & Opening Hours
Saturday 13/06/2026
17:00-22:00
Sunday 14/06/2026
13:00-17:00
Monday 15/06/2026
17:00-22:00
Tuesday 17/06/2026
17:00-22:00
Thursday 18/06/2026
17:00-22:00
Friday 19/06/2026
17:00-22:00
Saturday 20/06/2026
13:00-22:00
Sunday 21/06/2026
13:00-17:00
For enquiries and preview catalogue:
sales@nosbaumreding.com
For theatre tickets: Théâtre de la Ville Paris
https://www.theatredelaville-paris.com/fr
Luxembourg Architechture Award 2026 Nominee
This June, the Luca is organising the Luxembourg Architecture Award, inviting the public to have their say from 1 to 21 June through a public vote on the preselected projects.
La cité transparente:
The series features composite images inspired by nine lithographs that Jean-Baptiste Fresez and Jean-Nicolas Bernard created in 1828–1829 and titled Vues de Luxembourg. These iconic panoramas of the city of Luxembourg have left their mark on the nation's collective memory, as they are omnipresent in historical representations of the capital. By mapping contemporary photographs onto historical lithographs with the same view, Yann Tonnar explores different stages of history. The project invites us to consider the metamorphosis of the city between memory and modernity and offers an unprecedented perspective on the urban, historical, civilisational, and identity issues that shape Luxembourg's past and present.
La cité transparente was originally commissioned by Musée Dräi Eechelen, where it is permanently exhibited.
Vote for this project here:
Dozens of centuries-old portraits of the d'Ursel family are side by side with the work of contemporary artists. From stately dukes to dreamy children, from modest servants to distinguished relatives, from melancholy figures to colorful heads: each portrait bears the traces of the time in which it was created and of whom was depicted. Face to face you discover the special story behind every face.
The exhibition starts with the oldest (1626) and the latest (2026) family portrait. Spread over the three floors of the castle, you will discover portraits of the d'Ursel family from the intervening four centuries. Also some lost, but recently returned portraits can be seen for the first time.
TALKING HEADS combines and confronts the centuries-old family portraits by Justus van Egmont, Charles-Pierre Verhulst, Philip de László, Joseph Vivien, Alexandre Delatour, Charles Le Clercq, Bernhard Seibert, Alexandre Thomas, Antonine de Mun, 6th Duchess d'Ursel, many lesser-known and some anonymous masters with work by more than fifty contemporary artists:
Mona Ardeleanu (DE), Omar Ba (SN), Stephan Balkenhol (DE), Raafat Ballan (SY), Lysandre Begijn (NL), Vilson Biçaku (AL), Michaël Borremans (BE), Daan Couzijn (E), Stefaan De Croock (BE), Mattias De Leeuw (BE), Iris Devriendt (BE), Alioune Diagne (BEL),
10 ans de La Boverie. Les coulisses d'une Collection
Presenting Works by Ronny Delrue
Dates
29.05.2026 – 23.08.2026
Opening Hours
Tuesday-Sunday 10AM to 6PM
Closed on Mondays
Address
3, Parc de La Boverie
4020 Liège
For more information & tickets:
https://www.laboverie.com/expos-evenements/les-prochaines-expos/exposition-anniversaire
With Damien Deroubaix (main artist), Xavier Antin, Ignasi Aballi, Maarten Vanden Eynde, Vivien Roubaud, Tom Callemin, Nicolas Lamas, Louise Sartor, Caroline Van den Eynden
Curated by Tom Jonckers
24/04/26 – 26/04/26
Open to public by appointment
Presenting works by: Peter Zimmermann, Damien Deroubaix, Ronny Delrue, Nat Meade, Barthélémy Toguo, Max Coulon, David Schmitz, Eric Mangen, Tina Gillen, Sophie Ullrich
23.04.2026 - 26.04.2026
Preview: 23 April 2026
Public Days: 24 - 26 April 2026
Brussels Expo
Brussels, Blegium
Join us at Art Düsseldorf 2026
Presenting works by:
Peter Zimmermann, Stephan Balkenhol, Dominique Dureau, JKB Fletcher, Max Coulon, Melanie Loureiro, Thomas Arnolds, Tina Gillen, Ronny Delrue, Atelier Van Lieshout, David Schmitz, Hisaek Ikenaga, Barthélémy Toguo
Booth C-01
16.04.2026 - 19.04.2026
Preview: 16 April 2026
Public Days: 17 - 19 April 2026
Areal Böhler
Hansaallee 321
40549 Düsseldorf
For more information & Tickets free to contact: contact@nosabumreding.com
Hisae Ikenaga – Anatomies of Use
at Kiosk Ghent
For her first solo exhibition in Belgium, Hisae Ikenaga presents a selection of existing and new works. The title Anatomies of Use refers to the subtle displacements that structure her practice: shifts of function, status, and meaning. Industrial and domestic objects are appropriated and reconfigured, their use suspended, their familiarity unsettled. Forms appear stabilized, as if halted after transformation, revealing tensions between use, form, and memory.
Ceramic works extend this reflection through the figure of the cylinder, borrowed from industrial lamination tools and transposed into pottery. The motif becomes form, matrix, and trace of gesture. In a new video in collaboration with film director Paula Onet, Soft Dissection, artisanal and medical gestures intersect, opening an ambiguous space between workshop and laboratory. Through these displacements — from tool to object, from gesture to image — Ikenaga constructs an archaeology of the present, where each form becomes trace, sculpture, and question.
Practical information:
Opening: 04.04.2026, 3 p.m. - 6 p.m
Exhibition open daily from 12 pm to 6 pm until 07.06.2026
Free entrance
Louis Pasteurlaan 2, 9000 Ghent, Belgium